Teacher area: scheme of work and assessment
The Poetry AnthologySixteen poems, one guide

Paper 1 Section B · 30 marks

Assessment

One comparison question, AO2 and AO3 in equal halves, five levels. Here is the grid in practical terms and the habits that move students up it.

The two objectives

  • AO2 (15): analysis of language, form and structure creating meanings and effects. The examiners’ standing warnings: no credit for summary or paraphrase, and ‘it is not sufficient simply to list literary devices’. Device-spotting is labelling; effect is analysis.
  • AO3 (15): links and connections between the two poems, sustained through the answer. The discriminator is integration: both poems held in single sentences and paragraphs, not treated in sequence.

The five levels, in practical terms

Paraphrased for planning purposes; always mark against the current published grid from Pearson.

LevelMarksWhat it looks like
11–6Simple response; minimal identification of method; little or no comparison; limited examples.
27–12Largely descriptive with some comment on method; comparison attempted but undeveloped or unbalanced.
313–18Sound analysis of language with some form/structure; clear, relevant comparison, though often sequential; relevant examples.
419–24Thorough analysis across language, form and structure; comparison sustained and mostly integrated; well-chosen examples from both poems in balance.
525–30Assured, perceptive analysis; comparison integrated at sentence level; discriminating examples; a conclusion that weighs the poems rather than repeating.

Marking with the desk

The marking desk gives annotations, never marks: it challenges device-spotting, checks for integrated comparison connectives, and pushes analysis to effect. Suggested routine: timed answer in class, desk annotation for homework, redraft in a different colour, teacher marks the redraft against the grid. Your level judgements stay yours; the desk does the first-pass reading.

Marking rhythm

Read once for comparison (underline every sentence containing both poems: fewer than five is a sequential answer), once for method range (language, form AND structure each analysed for effect), and once for evidence (short quotations from both poems in reasonable balance). Comment at the level of pattern, and the redraft does the rest.